Interview with Mariella Segala, curator of the exhibition entitled “The rust garden”.
How did the ex-factory change during the last 18 years? The complex of the ex-Ansaldo was born again; it has become a reference point for culture.
Conversation with director Andrea Segre on the relationship between memory, identity and work in the documentary film.
Ponte Crotte’s kilns are subordinated to monumental obligations and they have not been reemployed yet.
The number of industrial buildings transformed into museums or art galleries is bigger and bigger…
I asked myself if a waterwheel could be estimated more important than a poem…
Industrial archeology: such a strange neologism coined in Great Britain in 1950s, it becomes a common expression in everyday Italian language.